Summary: To understand Cone’s theology, you need to understand Cone and his context.
James H Cone has been a frequent concern in many conservative white Christian circles over the past year. There are several causes for that, but one of the threads that has given rise to the discussion is that Walter Strickland, one of only a handful of Black professors at a Southern Baptist seminary, was quoted by Molly Worthen in an NYT article saying that he assigned James H Cone and found value in interacting with him. That gave rise to calls for Strickland to resign, which prompted this statement.
The controversy continued with the president of the seminary where Strickland works both defending Strickland and calling Cone a heretic and ‘almost certainly not a Christian’ on twitter. Andre Henry wrote an article about the controversy. It was this background that a friend of a friend asked to discuss Cone. Over this past weekend, I picked up the audiobook and listened to it (having previously read it when it first came out.)
I am not a Cone scholar. I have not read all of his books, although I will probably read all of them eventually (there are not that many). In my lay opinion, I think that people tend to approach Cone wrong. Many people want to jump into early constructive theology, God of the Oppressed or A Black Theology of Liberation. I think that because of his theological method, heavily drawing on his personal and cultural experience, that you need to start with one or both of his memoirs.
Said I Wasn’t Gonna Tell Nobody was posthumously published. The book was completed and ready for publication when Cone passed away in 2018. His earlier My Soul Looks Back was a mid-career memoir. There is a lot over overlapping material, but they are both worth reading. If you are looking for an order, I would recommend, Said I Wasn’t Gonna Tell Nobody, The Cross and the Lynching Tree, Spirituals and the Blues, My Soul Looks Back, Martin & Malcolm & American and then you can move his earlier constructive theology.
I say all of this because Cone developed his theology in response to the culture of the US during the late civil rights era.
When the Detroit rebellion, also known as the “12th Street Riot,” broke out in July of 1967, the turmoil woke me out of my academic world. I could no longer continue quietly teaching white students at Adrian College (Michigan) about Karl Barth, Paul Tillich, and other European theologians when black people were dying in the streets of Detroit, Newark, and the back roads of Mississippi and Alabama. I had to do something. But I wasn’t a civil rights leader, like Martin Luther King Jr., or an artist, like James Baldwin, who was spurred in his writing when he saw the searing image of a black girl, Dorothy Counts, surrounded by hateful whites as she attempted to integrate a white high school in Charlotte, North Carolina (September 1957). I was a theologian, asking: What, if anything, is theology worth in the black struggle in America?







