Bookwi.se

Summary: A teen watches her friend get killed by a cop during a traffic stop and her life and the lives of those around her spiral out of control.

The Hate U Give has had a lot of hype. It was nominated for a National Book Award, it won two awards in the Goodreads Readers Choice awards, and Audible.com’s Editor Choice for book of the year among other awards.

One friend on goodreads said she read it with a question about whether The Hate U Give was really a great book or whether it was a book that matters because of the moment. In the end she decided the later and not the former, but I am not sure. It does matter because of the moment. Young adult and other fiction readers are asking for more books by and about people of color. And there is a need for realistic portrayals of difficult ethical situations. But I also think it was well written.

Starr is 16. She lives in Garden Heights, a poor neighborhood of New York City but attends school in a wealthy suburban private school. She lives a double life. Her father is an ex-gang member and black power advocate that is committed to helping people in the neighborhood. Her mother is a nurse, equally committed, but also concerned about the impact of their neighborhood on the lives that her children live.

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Takeaway: Can we really know someone who does not want to be known?

It has been about two decades since I read James McBride’s breakout book about his mother, The Color of Water. Kill ‘Em and Leave is the first book of McBride’s I have read since then. Like Color of Water, McBride is a character in this sort of biography of James Brown. Half of the book is really about how hard it is for anyone, including McBride, to really understand James Brown.

Throughout Kill ‘Em and Leave, McBride recounts his interviews with the people who knew, worked for, loved, and were harmed by James Brown. There is little gloss here. James Brown was a musical genius and a nearly impossible person to be around. Those who stayed with him the longest were those who were willing to do what he said. If you ate with James Brown, you ate what he ate, and only what he ate. If you worked for him, you did what he said. If you played for James Brown, you showed up on time, played what he wanted, and supported Brown as the star.

But McBride also captures the importance of James Brown as a cultural figure for the African American community. There are a ton of stories about children just wanting to see a famous Black man who owned a plane and radio stations and said, “I’m Black, and I’m proud.”

This is important to McBride as well. McBride identifies with Brown in some ways. Kill ‘Em and Leave was partly written because McBride needed to write a book. He was broke after a divorce. He was living in a small NYC apartment. McBride has had big hits, but at 55, he was starting over again, similar to Brown. And McBride has no problem identifying the aspects of Brown’s life that were impacted by racism.

However, the biggest image of Kill ‘Em and Leave was of a man who was unable or unwilling to be known. His best marriage was his first as a young man before becoming a star. But she didn’t want to travel with him and didn’t like his philandering while he was traveling. Their divorce was about their different goals, more than a lack of love, and they stayed close throughout his life. His musicians were around him, and he owed much to their musical influences to his sound. But even those who were around him longest didn’t claim to really know him. Some of them didn’t want to talk about him. Many of them continue to live (or died) in poverty.

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Summary: A view of Christianity as the empowerment of the poor and disenfranchised.

Jesus and the Disinherited has been recommended to me a number of times. This month the kindle edition is on sale for $2.99 and I picked it up. This is a brief book. Just over 100 pages. It famously was carried by Martin Luther King Jr almost everywhere he went as inspiration.

Howard Thurman was a classmate with King Sr and the Dean of the Chapel at Boston University while Martin Luther King Jr was working on his PhD. Jesus and the Disinherited was based on a series of lectures and originally published in 1949. (Before Martin Luther King Jr was at Boston.)

The first chapter of Jesus and the Disinherited is about Jesus and how his role as a member of a minority group and in poverty impacted the message of Jesus. Much of this I have heard others say previously. (I really don’t remember anyone citing Thurman, but based on the date of the book, I know that much of my reading would have been influenced by Thurman without citation.)

What is interesting and a new thought to me in that first chapter is Thurman’s contrast between Jesus and Paul and their different positions in society and how that seems to have impacted their theology. Jesus was poor and outside of Roman society. Paul was a Roman citizen and one that used that status.

Thurman cites Romans 13 and other passages as an example of how Paul’s status as citizen is woven into Paul’s theology. Thurman is clear that Paul also subverts cultural assumption of status in Galatians (neither Jew nor Greek, Male or Female, slave or free). But that Paul does not subvert the system as much as Jesus does.

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Summary: Mid-career memoir of one of the founders of the Black Liberation Theology movement in the US.

It has been years since I have picked up one of James H Cone’s books. I think I have only read two, Black Theology of Liberation and Martin & Malcolm and America. I am pretty sure that I missed most of the content of both of those when I read them around my college or seminary years. But Martin and Malcolm and America in particular has stayed with me and I want to revisit again.

I have been intentionally reading memoirs of elder Christians in attempt to understand how they communicate their wisdom. L’Engle’s four volumes of memoirs, John Perkin’s recent book and Hauerwas’ Hannah’s Child have been the most recent examples. Cone wrote My Soul Looks Back in 1985, when he was 49. He was not nearly as old, or as near the end of his career as John Stott or Eugene Peterson or Thomas Oden‘s memoirs have been. But it matters that Cone’s assessment of the state of racism in the United States and the church read as if they had been written recently. (I would be fascinated to read a new memoir by Cone now that he is 81.)

I have appreciated the existence of Cone’s theology of liberation, even if I thought that I had moved past it. I think I would have dismissed it far less had I read My Soul Looks Back earlier. Liberation Theology today is often dismissed as too concerned with the political or reducing the spiritual life by focusing on the political. And by being too influenced by the discredited ideas of Marxism. Some of that critique has validity. But as I read Cone’s assessment of his own work, he dismissed Marxism as mostly irrelevant to the development of Black Liberation theology within the US.

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Summary: A collection of essays about Charles Taylor’s A Secular Age.

At some point I will read A Secular Age. But frankly, the 900 page tome is far down my reading list. But this is at least the fourth book that I have read that is largely about A Secular Age. So now I have read about as many pages about a book as the book itself.

James KA Smith’s How (Not) to be Secular and Joustra and Wilkinson’s How To Survive the Apocalypse are both excellent introductions to Charles Taylor’s book. Richard Beck’s Reviving Old Scratch is a riff off of Taylor’s books, but not really directly about it. But more of an application of A Secular Age while looking at the concept of Satan. And now Our Secular Age is a series of essays put together by The Gospel Coalition that have been influenced by Taylor.

Any collection like this is uneven. But there are a number of helpful essays, even though I wanted to argue with a few of them. My problem is that I still have not read the original Taylor, so I am not sure if my impression of Taylor is accurate enough to adequately argue for or against the critiques here. Personally, I think John Starke’s chapter Preaching to the Secular Age and Brett McCracken’s Church Shopping With Charles Taylor were the two most helpful for me. Although I argued in my head with McCracken’s chapter virtually the entire time.

Alan Noble’s chapter, The Disruptive Witness of Art, is really an argument for the existence of the online magazine Christ and Pop Culture. (Which he helped to found and which I am a big fan of.) It is not a new argument to me, but I think it is an important argument. Art is evangelism and discipleship in light of the Secular Age.

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