Summary: “The one true God has now taken charge of the world, in and through Jesus and his death and resurrection.”
NT Wright is an author that many are excited about and many are frustrated by. There is good reason for both. NT Wright is a serious scholar and he has helped reinvigorate serious scholarship about the New Testament that is focused on orthodox Christianity.
The main theological frustration, especially for a particular group of Reformed, is that he has focused on Paul and interpreted Paul as not being primarily focused on Jesus’ Penal Substitution. He has not ignored Penal Substitution, or said it is not a real part of Christianity, but he has said the focus of Paul is not on Jesus’ penal substitution, but on Jesus as King and restorer.
That major focus on Wright’s work is front and center in Simply Good News. Wright does fairly well writing either to an academic audience (as his 1700 pages opus on Paul) or a popular audience. Simply Good News (like Simply Jesus, Simply Christian and Surprised by Hope) is popularly focused and has few footnotes or academic references. And it is one of Wright’s shortest books.
NT Wright is in one way imminently readable. He tells stories and builds a case that can be followed. But in another ways Wright is almost always frustrating because he usually seems to complicate even small matters. Nothing by Wright is unrelated to the whole story because the nature of Wright’s project pulls together parts of the Christian story which some minimize or over simplify.
Wright cannot talk about the Good News without talking about Jesus and his project (obviously) or the broader concept of covenant (which Jesus is coming to fulfil), or the work of the church (doing our part in reconciling the world to Christ), or the end times (which should drive our understanding of what our reconciliation should be focused on), or the history of Israel (to which Jesus came as Messiah) or a whole host of other issues that are interrelated and connected. Anyone that has read Wright before always feels the repetition that is necessarily a part of Wright’s method of presenting the story.
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