Adam Shields

Summary: A history and guide to early church theologians, pastors and writers.

I am sorry if you are not interested in Christian History, I think I am going to be reading a lot of it this year. The resurgence of awareness of the early Church Fathers, not only in the more traditional liturgical church settings but in the Evangelical world has given rise to a number of good books about early Church history and the actual writings of those early Christians.

After reading John Michael Talbot’s mostly memoir-ish look at the early Church fathers I decided that I wanted a more history oriented book, but still introduction level. I have read fairly in depth about the early Church Fathers on the trinity, but not on much else. (Although I have read several other than Christian history survey books that cover the era.)

When the Church Was Young fits the bill well. D’Ambrosia is Catholic and writing this in part to encourage Catholics, but this is not an exclusively Catholic view of the early church. After all, at this point it was just the Church, the major splits were yet to come, although there were certainly lots of little splits.  There were a few places where I think that D’Ambrosia made too much of a leap from ancient to current Catholic and I think he started referring to all Christians as Catholic earlier than the history warrants, but with those caveats, D’Ambrosia does a good job of giving context and history to the various Church Fathers and enough of a sense of their writing to feel like you are getting more than just survey history.

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Summary: Our current system of caring for the elderly and sick could be better.

Mortality is something that no one really likes to consider. However, Atul Gawande, a general surgeon and author of a number of books thinks we need to spend a lot more time thinking about it. (Notice the subtle, but brilliant blade of grass on the cover.)

Being Mortal is about our end of life health and care system. Because Gawande’s father is an immigrant from India, he opens the book talking about the difference between the older systems of family care (and what is still practiced in many parts of the world including India) and our Western independence focused system of care. While Gawande thinks there are many things to be said for being around family and multi-generational living, the reality is not always good. Those that do not have children have no system, the children’ may need to give up opportunities if it requires moving away, and regardless, the elderly themselves would often prefer to be on their own.

Prior to Social Security and Medicare, most elderly were in poverty and approximately 2/3 of the residents of poor houses (think Dickens) were elderly. Those poor houses were still operating in the US until being slowly shut down in the mid-20th century.

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Summary: What comes around…?

When a murder mystery series is based around a small town there has to be some questions about how/why murders will disproportionately happen in this particular town.

A Fatal Grace is only the second book in a now ten book series, but Louise Penny has taken a wise path, it is not one of the insiders, but an outsider that is murdered. And connecting it to the previous murder by having her move into the house of a previous murderer/murdered victim also is a nice twist.

My main complaint about the second book (and even more so in the third book) is that it takes forever to get into the book. I keep saying I am interested in the people and the setting, but my complaint here is that Penny is taking too long to get to the murder. So there is probably something else at the root is what is not quite doing it for me.

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Summary: George Smiley is not in charge of the circus. After ferreting out a mole, Smiley can not be sure he can trust anyone.

John le Carré is an author I really like, but can be frustrating at times.  I love the slow burn of his books.  They are unhurried, take place over a long time, feel like real spy work and not just heroics.

But the Honorable Schoolboy also takes forever to move along and finally get anywhere.  There are a ton of characters, many of which have at least one undercover name.  I keep thinking I will read (instead of listening to the audiobook) one of these, but I keep listening because I find them audiobooks on sale and the kindle books never seem to go on sale.

There is a real change in this book from previous le Carré books.  The narration suddenly gets is own voice occasionally.  I am not opposed to the ‘omnipotent narrator’ as a story telling method.  But it is new and feels a bit odd at times.  The reader is being told the story from the future.  The narrator knows what is going to happen and knows there is going to be regret in the end.

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